9 January 2019

Sacred Bengal Part 2: Bansberia, Kalna and Guptipara

The idea of a trip to see the Terracotta temples of Hooghly came to me from a chance encounter with some beautiful photographs of ruined temples.The images evoked loss and desolation but also stirred your memories and cultural roots  These photos were taken by a close friends school mate who happened to be a Government officer with a dual passion of photography and terracotta temples. That was the start of my journey about popularly little known and acknowledged part of Bengali heritage. My earlier trip in the autumn of 2017 took me deep into Hooghly hinterland- historically prosperous villages, trading towns and river ports in a land of agricultural plenty. I wrote about this in my blog https://desieyeinlondon.blogspot.com/2017/10/sacred-bengal-retracing-david.html
Some of the beautifully carved Terracotta temples in these villages and towns are in dire need of preservation like the Raj Rajeswar temple in Kotolpur whereas some like the Aatpur Aatchala temple is well looked after by the owning families. Some others have been badly preserved which I was horrified to learn have been painted over by some lurid red exterior paints. There are only a handful of temples in Hooghly which have been restored and are maintained by the ASI which I could not cover in my previous trip



This time our journey took us into a different direction towards north eastern Hooghly and the historical spiritual heart of Bengal around the Kalna-Guptipara. We started our day with an early morning trip along the Grand Trunk Road towards Hooghly and took a break while passing by a strikingly beautiful memorial standing alone by the roadside. It is the Memorial of Susanna Anna Maria in the outskirts of Chandannagar. Rumoured to have married seven times this was an unusual memorial to who was no a doubt a formidable Dutch lady in 19th century Bengal. She is rumoured to be the inspiration behind Ruskin Bond's acclaimed short story "Susanna's Seven Husbands"

1. Susanna Anna Maria Memorial: Chandannagar


Susanna Anna Memorial:
Built around 1809 its an octagonal monument with Corinthian columns
with dome and steeple with a series of steps leading to it

2. Hooghly Imambara: Hooghly

On our way to Bansberia we took a small detour to visit the beautiful Hooghly Imambara on the banks of the Hooghly river. Built between 1841-1861 by noted philanthropist Haji Muhammud Mohsin  this Imambara (a Shia mosque complex and prayer hall) is unusual as its Twin Towers on the entrance Gateway host a Big Ben style clock which rings every 15 minutes. The sound is exactly the same as that of the Big Ben in London



Hooghly Imambara: Twin Towers



Hooghly Imambara: Left Wing

Hooghly Imambara: Porticoed entrance to Hallway

The Hooghly Imambara is an awe-inspiring structure with its incongruous 19th century Big Ben style European clock and stained glass windows but in urgent need of renovation. Some repair work is already underway as you can make out from scaffolding on the twin towers.

3. Ananta Basudeb & Hongseswari Temples: Bansberia

The Bansberia temple complex consists of two temples constructed in different times in completely contrasting architectural styles. While the Ananta Basudeb is built in the traditional Bengali Terracotta style the onion domed Hongseshwari temple is  completely unique with no parallels in Bengal.

Built in 1679 by Rameshwara Dutta, the Ananta Basudeb is one of the rare temples in Hooghly to be restored and is maintained by the ASI. It is one of the finest and best preserved examples of the Eka-Ratna( single turret) architectural  style. The Ratna style is known to have evolved from Indo-Islamic confluence in Architecture,  The Eka-Ratna in Ananta Basudev has an Octagonal Tower and the temple facade itself is well known for its beautiful and intricately designed Terracotta panel work. As in other temples religious and mythological themes dominate. But there are scenes from daily life and battle scenes as well. 


Ananta Basudev, Bansberia: Eka Ratna temple with a Garden complex

Ananta Basudev, Bansberia: Example of temple facade Terracotta panel work

Ananta Basudev, Bansberia: Scenes from daily life in Terracotta panel work

The adjoining Hongseshwari Temple was built much later around 1814. Built in a completely alien onion domed smooth style the Hongseswari defies classification but you could argue that its a unique  adaptation of the "Ratna" architecture


Hongseshwari Temple,  Bansberia: Unique Spired structure 

Hongseshwari Temple,  Bansberia: Front Facade

Bansberia Raj bari: Now ruined entrance to the Raj Bari complex
(Photo courtesy ©  Amit Mitra)

Bansberia has been part of the prosperous Saptagram or Seven villages in the pre-middle and middle ages. One of the prosperous river port towns it was built on a revered site of  Triveni or the confluence of three rivers. This temple complex is also intriguing from the coexistence of the Vaishnava Bhakti tradition with the Shakta-tantric tradition. The older Ananta Basudev temple is dedicated to Vishnu while the later Hongseshwari temple is dedicated to Shakti.

3. Wooden bridge from 18th Century: Kuntighat


On our way to Kalna from Bansberia we stopped briefly on the Kunti river. We were told by a local about a wooden bridge which has survived from Nawab Siraj-Ud-Daula's times ( to be verified) few minutes driving distance away.

18th Century Wooden Bridge at Kuntighat over Kunti River


Kunti River, Kuntighat: Fresh vegetables being transported down river by boat just as it would have been in Siraj ud Daula's time


4. Nabakailash 108 Shiva Temple: Kalna


Situated on the western bank of the Bhagirathi-/Hooghly river Kalna has historically been an important trading hub and a spiritual centre of immense importance in Bengali culture.  Along with Nabadweep in the western bank and Santipur on the eastern bank its a revered place in the Vaishnava Bhakti movement and closely associated with the life story of Shri Chaitanya. In addition its closeness to Gupitpara-the seat of Shakta and Shaivite traditions make it a holy place for the Shakta spiritual school as well. 

Once the residing place of the Bardhaman royal family the town hosts a string of well preserved Terracotta temples. We started our exploration with  the 108 Shiva temples complex which is also known as Nabakailash

Constructed by the enigmatic Bardhaman Maharaja Tejchand in 1809 Nabakailash is the most beautiful example of Shiva temples which usually dot thousands of Bengal villages. The complex has two concentric rings with a deep well in the centre. The outer ring consists of 74 temples and the inner ring 34 temples. the Shivalingas in each of the temples point north- to Mount Kailash the abode of Lord Shiva.

Nabakailash Temple, Kalna: Panorama view of the inner and outer rings



Nabakailash Temple, Kalna: Outer Ring of 74 Shiva temples with some of the inner ring temples visible to the right and  the crown of Lalji temple visible in the centre

Nabakailash Temple, Kalna: Inner ring of temples with the well to the right



Nabakailash Temple, Kalna: Path from inner courtyard to outer courtyard

Nabakailash Temple, Kalna: Inside view of Shiva linga oriented towards North


5. Rajbari Temple Complex: Kalna

Adjoining the beautiful Nabakailash temple is the stunning Rajbari temple complex with its treasure trove of  Ratna, Rekha Deul and Rasmancha style temples and structures. These temples were all constructed by the Bardhaman royal family various times between 1740 and 1849.

Rajbari Temple Complex, Kalna: left to right Pratapeshwar temple, Rasmancha and Lalji temple


Rajbari Temple Complex, Kalna: Pratapeswhar Temple

As you enter the temple complex the first temple to greet you is the Pratapeswar Temple. Constructed in 1849 by Maharaja Tejchand this temple is a rare example of the Rekha Deul architecture which is similar to the Odisha style of temples. It also has one of the best preserved Terracotta facades 


Pratapeshwar Temple: Carved doorway

Pratapeswar Temple: Details of the Terracotta on the doorway


Pratapeshwar Temple: Lady in Balcony terracotta detail


Rajbari Temple Complex, Kalna: The Rasmancha with hints of  Islamic  influence  in the architecture



Rajbari Temple Complex: Krishna Chandra Temple

The Krishna Chandra Temple is one of the rare and best known examples of a Panchabingshati Ratna ( 25 Ratna). There are only a few surviving 25 Ratnas in Bengal today. This temple was constructed by Lakshmikumari in 1752.

Krishna Chandraji Temple: Example of detail from Barsha (Flank)

Krishna Chandra Ji Temple: Example of a rare erotic themed panels

Rajbari Temple Complex Kalna: Vijay Vaidyanath Temple
Unfortunately we were not able to visit the famous Lalji Temple of this complex since the temple was closed in the afternoon -it being the resting time of Lalji.

6. Gopal Jiu Temple at Gopal Bari, Kalna


Gopalbari Temple, Kalna: Panchabinghsati Ratna

The Gopal Jiu temple at Gopal Bari is one of the oldest surviving Pancha Bingshati Ratna temples. It was built by Krishna Chandra Barman in 1766



7. Jagannath Bari at Jagannath Ghat: Kalna


The Jora Shiva  temples at Jagannat Ghat are built with the  Aatchala style. Originally on the banks of the Bhagirathi the river has now receded changing its course. It was built by Bishnukumari and has now fallen into a state of disrepair

Jagannath Bari,  Kalna



8. Mahaprabhu Mandir at Gauri Das Bati, Kalna

This place is not known for any Terracotta temples rather is an important part of  Shri Chaitanya lore. This mandir is located in the house of Gauridasa Pandit in Ambika Kalna. Gauri Das is known to be one of five Vaishnava Sadhaks who Shri Chaitanya consulted before taking Sanyas, Gauri Das was the only one among the five who disapproved of this decision. After taking Sanyas, Shri Chaitanya is known to have visited Gauri Das's house to placate him. The spot where they met has his foot marks preserved under a giant Tamarind Tree (Tentul/imli tolla)
The meeting took place at night after Shri Chaitanya crossed the river with Nityananda and gifted the boat's Oar to Gauri Dasa saying “With this you should cross over the ocean of material existence, taking all the living entities with you”
The oar is still preserved in the museum at this house. 

Shyam Sundar Bati: Gouridas Pandit's House in Ambika Kalna

Imli tolla: Shri Chaitanya's preserved footprints
(Photo courtesy ©  Amit Mitra)

Imli tolla: 500+ years old Tamarind Tree where the meeting between
 Shri Chaitanya and Gouri Das pandit took place

9. Brindaban Chandra Math, Guptipara

On our way back from Kalna we visited GuptiparaIts popularly believed that Guptipara is where Shakti or Kali worship originated in Bengal. Another ASI maintained  site with a lawn, this complex has the oldest surviving Terracotta Temple in Bengal. It has the iconic Ek Ratna temple- the Ramachandra Temple

Brindaban Chandra Math, Guptipara: Jor Bangla Temple- oldest surviving Terracotta temple in Bengal


Brindaban Chandra Math,Guptipara: Brindaban Chandra Temple



Brindaban Chandra Math, Guptipara: Ram Chandra Temple


We signed off  our visit with the Brindaban Chandra Math at Guptipara. It was a fulfilling day. 
This beautiful architecture is a unique testament to a people's culture and way of living for centuries. While some of these temples are well preserved thanks to restoration by ASI there are hundreds of other temples that are languishing and fallen into various stages of ruin and dilapidation. We owe it to ourselves and our forebears to preserve these outstanding examples of temple architecture.

( special thanks to my friends Shri Amit Mitra and my friend , guide and Terracotta expert Shri Prosenjit Kolay without whom this trip would not be possible)

Sacred Bengal: Retracing David McCutchion's journey

It took an English man to show us the sublime beauty of our temples in Bengal. Armed with a tripos in modern languages from Cambridge, David McCutchion came to India in the 1950s. While teaching English in Viswa-Bharati in Santiniketan he visited some local terracotta temples and this led to his life long passion about the late medieval temples of Bengal. He travelled extensively in both bengals sometimes on foot and sometimes on cycle and tirelessly documented thousands of beautiful terracotta temples that dot the landscape. He was responsible for helping an entire generation of Bengalis rediscover their heritage. I was intrigued by this story of a Cambridge educated gent scouring the West Bengal and Bangladesh (then East Pakistan) rural landscape through the 1950s/60s till the Naxal unrest and the Bangladesh civil war stopped his ramblings.


Photo Courtesy Prosenjit Koley (c) 

Egged on by a close friend – my engineering college buddy Amit, I decided to trace a part of his journey during this trip to Kolkata From Kolkata the nearest bunch of these late medieval temples are in Hooghly district. We set off one balmy Saturday evening from Kolkata to Chandannagar which would be the base location from where to start our perambulation. It had been raining for the past few days and we were almost on the verge of cancelling our trip but buoyed for encouraging weather forecasts persisted. Sunday morning was crisp with clear azure skies and clear sunlight- ideal for viewing the temples. Our expert –Prasenjit, created a route which factored in the orientation of these temples. We would visit the east and north facing temples in the morning and the west and south facing temples in the second half so the temples are always bathed in light


The route
Chandannagar-->Dwarhatta-->Aatpur-->Kotulpur-->Rajbolhat-->Dasghora-->Senet-->Hooghly town-->Chandanagar The proposed route would take us from the historical French enclave of Chandannagar towards Haripal.


Our first stop would be the village of Dwarhatta. Well known in medieval Bengal as a prosperous village its slide into obscurity began with the influx of European settlements of Serampore, Chandannagar and Bandel. The European towns acted as a magnet for traders and artisans and the ancient village of Dwarhatta scaled back to being a village. On the way we passed through one of largest wholesale banana market of Nasipur which was abuzz with activity with "Chhat" pujo


Banana Market: Nasipur







From Dwarhatta we would go to “Aatpur” another prosperous Hooghly village which has a rich and well documented history going back few centuries. Known for Its later association with Swami Vivekananda’s renunciation along with his 8 Guru Bhai’s have added a further spiritual dimension to Aatpur


Aatpur Village
From Aatpur we would move towards Sitapur to reach the hamlet of Kotulpur. A relatively less prosperous and obscure village Kotulpur is reached through some muslim majority villages. Its temple is in a dilapidated state


From Kotulpur we would travel to Rajbolhat. Its famous for the local “kali” like deity of Rajballavi and also for its association with Dulal Chandra Bhor well known to most Bengalis for his patented “Dulal er Tal michri”





Idol of local deity Rajballavi, Rajbolhat
From Rajbolhat we return through a visit to Dosghora village and Senet. The intention was to conclude our day trip by visiting the magnificient Imambara of Hooghly


1. Raj Rajeswar Temple, Dwarhatta


Raj Rajeswar Temple, Dwarhatta


Built by the Singha Rays in 1728 this temple is dedicated to Vishnu ( Raj Rajeswara)
The Singha Rays trace their ancestry to Rajasthan. They are Rajput Kshatriyas who moved to Bengal in the 1600s most possibly at the same time as the Rathod exodus after the defeat at the battle of Haldighati


The temple is one of the best preserved examples of the "Aatchala" style. The terracotta carvings on the façade are mostly beautifully preserved. The carvings are mostly scenes from the Ramayana, scenes from daily life, Goddess Durga among others. The carvings under the lintel over the triple entrance arch is intricate and beautiful


Raj Rajeswar Temple, Carvings on top of Arch
2. Radha Gobindo Temple, Aatpur


Built by Krishna Ram Mitra, Diwan to Maharaja Tekchand of Burdwan in 1786, this temple is one the largest built in the "Aatchala" temple with an Orissa style "Jagmohan" in front.




Radhagobindo Temple, Aatpur
The whole temple compound has 5 "char chala" shiva temples, a "Ras Mancha" and a "Dol Mancha" in addition to the main temple


Entrance to the main temple compound with a 500+ year old "Bakul" tree on the right of the picture



Entrance to main temple compound, Shiva Temples on the right, foreground






Ras Mancha, Aatpur
The temple carvings are unique as they draw from world history and all religions reflecting "Sarva Dharma Samanyay"


Temple carving showing Anubis on left, Guru Nanak and Kabira






Terracotta carving of Samudragupta playing the veena


"Barsha" work on the edges of the temple walls


Ponkho Polestara


Ponkho polestara work on the ceiling of the Jagmohan is very well preserved, This was an ancient mosaic technique indigenous to Bengal and neighbouring states. The technique used crushed sea shell paste mixed with other items. The patterns were decorated using knives




Ponkho Polestara work on the ceiling of the Jagamohan


3. Jackfruit Wood Temple, Aatpur


Jackfruit Wood temple, Aatpur


This is the oldest surviving medieval wood carved temple, The wood used is that of the jackfruit tree with a traditional thatched Roof




4. Baburam Ghosh's ( Premananda Swamy) House, Aatpur


Baburam Ghosh-better known with his monastic name of Premananda Swamy was one of the nine disciples of Ramakrishna along with Swami Vivekananda.


Baburam Ghosh's house, Aatpur
Baburam Ghosh's house where Swami Vivekananda and his eight Guru Bhai's renounced the material world and became monks


Plaque commemorating the renunciation of Vivekananda and the eight disciples of Ramakrishna


5. Raj Rajeswara Temple, Kotulpur


This was the oldest temple of the day. Built in 1694 by the hazari and Bakulis, the temple is overgrown with weeds and the ceiling has caved in. However the terracotta work and the structural integrity of the façade is miraculously preserved


Raj Rajeswar Temple, Kotulpur
6. Radhagobindo Temple, Rajbolhat


This temple was built in 1738 by the Ghataks


Radhagobindo Temple, Rajbolhat


7. Gopinath Temple, Dasghora


Built in 1703 by the Biswas family this is a great example of the Indo-Islamic Pancharatna style


Gopinath Pancharatna Temple, Dosghora




The Biswas Bari in Dosghora


The Biswas family built a stately home in Dosghora village in the 1700s. It is one of the best preserved old houses in Bengal.



Biswas Bari, Dosghora Village with Dol Mancha


When we reached senet it was dark so we don't have any photos. We also had to drop Hooghly Imambara. Our day trip was complete. The temples had opened up an unknown element of Bengal's architectural heritage


We hope to continue our quest in the near future.


Risks


These temples are faced by three different risks/dangers


1. No repair/restoration causing a slow death


Some of the temples like the beautiful temple at Kotulpur have fallen into disrepair and if no repairs are undertaken it will be lost forever like many other temples which were recorded by David but do not exist anymore.


2. Amateur preservation Efforts


We also saw the damage caused by amateur preservation efforts. For example at the Aatpur temple complex scotchbrite was used to clean some of the terracotta carvings


3. Illegal Plaster casting and stealing


Illegal effort of creating plaster casts of the terracotta carvings have some times irreparably damaged the carvings, In some cases entire carving panels have been removed